Those who knew her tell that she danced by heart. When the music began Alicia knew what step would come, what movement … and thanks to this and the majesty of her technique, blindness never prevented her from being crowned among the big premium ballerinas assolutas du monde.
Tatiana Fesenko, regent of the Colon Theater in Argentina told Sputnik that "today everyone must mourn his death, because it has been a great loss to universal art."
From Buenos Aires Fesenko told how it was the first time she saw Alonso dance, when she was a child studying at the Vaganova Academy in St. Petersburg, then Leningrad.
"The first show I saw was at the Kirov theater, where Alicia Alonso danced 'Swan Lake'. They took us to a group of students and we were all shocked. Her performance was excellent … her technique and her character on the scene they were amazing, "recalled the regent of the ballet.
He also praised Alonso's famous performances with Russian Vladimir Vasiliev, one of the great stars of male classical ballet between 1960 and 1980. Together they danced several pieces such as Giselle, one of the emblematic interpretations of this Cuban dancer, recognized by critics as the Best Giselle of the 20th century.
Alonso's first interpretation of this ballet classic was in 1943, when he had to replace the British Alicia Markova in a presentation in New York. Another of his great labels was the renowned ballet Carmen, composed by his brother-in-law, choreographer Alberto Alonso, for the famous Russian dancer Maya Plisetskaya.
Born on December 21, 1920, Alonso also served as a choreographer and pedagogue. She founded in Havana with her husband, the choreographer Fernando Alonso, the Ballet Alicia Alonso in 1948, who with the triumph of the Revolution would become the National Ballet of Cuba, one of the most recognized classical dance companies in the world.
In 2015, the island's government decided to give its name to the Great Theater of Havana, which went from "Garcia Lorca", to the current "Alicia Alonso".